Dan Dare is 70

The comic book character Dan Dare is 70 this year. If you don't know of him, ask a sixty-something year old Brit who read Eagle comic as a child.

Here's my Dan Dare pop-up book:

Clive Richards has a theory that James Dyson's industrial design is entirely inspired by Dan Dare's spaceship.

What is easy is seldom excellent

The true saying "What is written without effort is in general read without pleasure" is usually attributed to Samuel Johnson. 

Well, most things like this seem to be attributed to Johnson, Churchill, Einstein or Twain.

Quote Investigator is a wonderful website for people who are suspicious of loose attributions. They think Samuel Johnson did use a similar expression ('What is easy is seldom excellent') but there are many precedents.

I could have done with them when we started the Simplification Centre. I collected quotes on simplification, including 'Einstein's' saying 'Everything should be made as simple as possible, but no simpler'. I assumed he probably hadn't said it but couldn't find any evidence either way. 

It turns out this attribution is a pretty good one, although it is a summary of something Einstein said. Quote Investigator concludes:

'...Einstein may have crafted this aphorism, but there is no direct evidence in his writings. He did express a similar idea in a lecture but not concisely. [Composer] Roger Sessions was a key figure in the propagation of the saying. In fact, he may have crafted it when he attempted to paraphrase an idea imparted by Einstein.'

Rupert is 100!

Ten years ago I posted about the 90th anniversary of Rupert Bear. Well, it's now his centenary and there's an exhibition planned for 7th November in Canterbury, home of his creator Mary Tourtel. And Royal Mail has issued a special set of stamps.

I recently bought this artwork at auction. It claimed to be an original by Alfred Bestall, the artist who created the famous multi-layered format that I see as an information design archetype. I know it couldn't be, as it's dated 1994, and Bestall died in 1986.

It turns out to be artwork used when this particularly story was re-used by the Daily Express in 1994. It is a copy of Bestall's monochrome artwork which has been hand coloured for the republication. 

This information was very helpfully supplied to me by John Beck, Secretary of the Followers of Rupert Bear. He commented:

"An interesting item and the story is indeed Bestall's and the date noted above it is in the hand of Ian Robertson who was the Rupert Editor at the time this was reprinted in the Express.

The story is Rupert and Raggety and the reprinted story used 27 of the original 40 panels.

It would appear that the Express have used a b/w copy of Bestall's original artwork and someone has coloured it for reproduction in the newspaper. Who the colourist is I do not know but they were using Gina Hart as a colourist at the time so it could be she.

How this escaped from their archives I cannot speculate but it is an interesting and unique item."

I love that job title: Rupert Editor. 

Shall We Dance?

Simplification often involves pruning information that has grown too long. It's often grown too long because of ill discipline in the writing process – we forget what and why we're trying to communicate, and each thought sparks off another. 

The wonderful Eric Blore shows how it's done in this clip from the Fred Astaire film Shall We Dance? 

Spellchecker for fraudsters?

When banks warn you about fraudulent emails, they always advise you to look out for spelling mistakes. But why is it that the fraudsters can't spell or recruit a reasonably literate criminal to proofread for them. I think there's an opportunity here. 

Here's one I got today: 

Yep, definitely dodgy I'd say.

That's what I call personalisation

How did Tesco know that's how I was feeling that day? 

 

No thunderbolts

 

Bearing in mind this is outside a church, who exactly is the No Thunderbolts sign on the bottom row directed at? Zeus no longer lives here.

Friendly prohibitions

I love a friendly sign, when you're in a friendly place like a garden. 

Things you can't do, drawn nicely

Visiting the Uffizi in Florence, it was refreshing to see graphic prohibitions that don't try to be traffic signs. I don't think I've seen this way of showing a negative on a public sign before (rather than a smartphone app).

A warning or a promise?

On not jumping to conclusions

We thought it pretty odd to find a You Are Here map just outside the gents at Pisa airport. But then we noticed the tactile path leading to it. It's a 3D map for people with sight impairment. So pretty good.

Icon grammar

 

Double negatives are controversial. Pedants may think that 'I didn't do nothing' means 'I did it', but we all know the second negative is an intensifier.

So hopefully this doesn't come across as 'Don't use the litter bin'. But risky.

RIP Harold Evans

The great journalist and editor Harold Evans died on 23 September this year. Simon Schama wrote in Time magazine's obituary that Evan's career was 'a supreme reminder of the indispensability of fearless journalism to a democracy grounded in truth', and that he 'showed time and again that the hard work of uncompromising investigative reporting could defeat cowardly cover-ups, corruption and conspiracies of lies. He wrote and he edited with a fistful of facts.' Timely remarks for today.

He played a significant part in our smaller world of information design. As the obituary in his old paper The Times put it: 

'Evans believed good newspaper design, rich in striking photographs and explanatory graphics, was essential to good storytelling and his interest in appearance extended to the choice of typeface in headings and text. This visual preoccupation led him to write the book series Editing and Design and, with the help of his inspirational head of design Edwin Taylor, Pictures on a Page, which elevated newspaper design to a fine art.' 

As you would expect from a journalist, he was a prolific writer and his books on newspaper design and photojournalism were hugely helpful for the work we did on graphic formats at the Open University. Under his leadership, The Sunday Times was a pioneer of what we now call infographics, and his co-author of Pictures on a page, Edwin Taylor, spoke at the first Information Design Conference.

Journalists explain complex issues to their readers, and information designers have a lot to learn from them. I was proud that Harold Evans agreed to be on the editorial board of Information Design Journal when we launched in 1979.